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Official Hobbit Review Thread - Will Contain SPOILERS

(276 posts)

  1. Barnamir
    Member

    Almost everything, almost unrecognizable.

    My point in picking where they buried the money is that while you claim that some changes made for adaptation are understandable any time they occur it is treated as sacriledge.

    The reason that many of these things are changed is part of the difference in storytelling in film versus literature. Condensing characters is not just dumbing it down. It prevents characters from getting too little screen time. Second the reason is that with narration in prose you can provide feelings details and subleties to how people feel or reason with a single sentance. In film these things needed to be communitcated differently it must come out in performance. This puts in a need for the dialoge and interaction to convey that same nuance without a narrator. This means that a scene in the film not only tell the same story with similar dialoge but say it in such a way that it communicates the emotion and thought that a reader gets to see in the prose.

    The narrowness of how you critize PJ does not allow for him to adapt at all. The faithfulness to plot and dialog that you are asking for would make for a longer movie, leave people not understanding why many actions where taken and either be hours longer or have even more characters that would get zero development.

    Posted 4 months ago #
  2. pettytyrant
    Member

    You are attacking me on false grounds I believe Barnamir- I believe firmly in adaptation and changes from book to film- of course it is required- but Pj does not adapt the source often at all- he just uses the outline of events to creat his own story within those confines- for me that is not adptation its 90% pure invention.
    And worse his alterations are almost always poor- take Helms Deep again- Pj adds in mysterious transporting in disappearing elves- he gives Eomer Erkanbrands role (presumably to save time in introducing Erkandbrand- yet the BBc adaptaion introduces him in about 3 lines of dialogue-and it works fine) and he puts Theoeden in the action instead of in the Hornburg being guarded.

    Now in doing this he in turn- undermines the peril, how outnumbered they are and how hopeless it looks by bringing in the elves (never mind the problems of how they got there or where they went), by leaving Eomer out the fight it enirely skips his growing releationship with Aragorn, rather poorly replaced with a made up fall out/make up scene with Legolas, and by putting Theoden in the action it takes away from his desire and need to ride to war on the Pelennor when the time comes and to 'fall in the front of battle if need be'- in PJ's he has already had that opportunity- this undermines an important aspect to Theodens character only finaly resolved in his death on the battlefield.

    Now you can agree or disagree with PJ's changes or how successful you think they were- but you have to admit there is no intrinsic reason why he had to change all these points of the original battle.
    He made concious choices to not adapt what was in the book but to seriously alter or invent around it- that was all PJ- not something forced on him by the needs of adaptation. He could have told the same story as in the book without all the additions and deviations if he had wanted to- the truth is he doesn't even try to adapt the details, he just ignores them and makes his own up instead.

    Posted 4 months ago #
  3. Beleg
    Member

    Barnamir I really haven't picked on the dialog. Changes there are to be expected in part because in film the viewer doesn't know what the characters are thinking unless they say it (generally). Also some things must be changed because they are just too hard to show on film or would not translate well. For instance when Thorin & Co. were taken by the Great Goblin & Co., all of that transpired in caves and tunnels, particularly the flight for escape. I have not criticized the fact that PJ changed that to a more open area because it would be too hard to show the flight and chase in a dark, narrow, winding maze of tunnels. THAT is an example of WHEN and WHY you need to adapt a book for the screen. A lot of this other crap I listed like totally screwing up the whole thing with Azog/Thror/Nain/Dain/[insert]Thorin is totally unnecessary and yes, it pisses me off. I have been waiting 30+ years to see what JRRT wrote on film and I'm still not getting to see it. I get to see some characters with nice costumes, some scenery, hopefully a dragon at some point but I don't get to see what he wrote.

    Posted 4 months ago #
  4. Barnamir
    Member

    Well some of what I was reffering is an ongoing friendly beef with Petty. He really gets on dialog changes.

    I think possibly part of the distintcion from those who really enjoyed the film and who really hated it is really a distinction between who wanted to see a faithful rendering of the TH they pictured when they read and those who want to see a great film treatment of the Hobbit as well as the inclusion of those nagging questions they have always wondered about. Where was Gandalf? What was Dol Guldor like?

    Posted 4 months ago #
  5. Beleg
    Member

    Barnamir:

    "it is really a distinction between who wanted to see a faithful rendering of the TH they pictured when they read and those who want to see a great film treatment of the Hobbit as well as the inclusion of those nagging questions they have always wondered about. Where was Gandalf? What was Dol Guldor like?"

    I'm really not trying to start a pissing contest with you Barnamir although it may seem like it and I'm not mad at you but I have to disagree again. PJ's THAUJ does not answer "where was Gandalf?" instead it inserts Radagast and has him doing at least one thing that should have been done by Gandalf.

    I want to see Dol Guldor. I wanted to see Azog, Thror, Thrain, Nain & Dain. I don't mind seeing the WC. I just don't want to see anything that directly contradicts what Tolkien wrote in a material way. We should have seen Azog earn his name the defiler with what he did to Thror (before the war). I think that would have very firmly established the enmity between the dwarves and orcs more than Azog's little feud against Thorin. You see Azog's vendetta vs. Thorin really only involves the two of them. The outrage of all of the dwarves over what was done by Azog to Thror (as in the book) and the subsequent slaying of Azog would have established a much broader feud/hatred between the orcs of Bolg (son of Azog) and the dwarves.

    I think the things like Dol Guldur, the White Council and the battle at the gates of Moria were a great opportunity for PJ to take some creative license because there are not a whole lot of details from Tolkien but I just want him to stay faithful to the few details that there were. That is all I'm saying. I don't think it is asking too much.

    Posted 4 months ago #
  6. pettytyrant
    Member

    For me the inclusion of the WC stuff is a mistake for two reasons- the lack of any real detail Tolkien provides for what went on and involving whom, and because it risks completly altering the tone and focus of the TH.

    The latter was my main fear prior to the films release and I think now it was a wholly justified fear. I can see why some people I know have said they thought it was more about Thorin than Bilbo and should have been called The Dwarf.
    Thorin is a main character in the book, but he is never contending with Bilbo in the readers mind for lead character, hero, or story.
    When you add in all the stuff from the appedixes you run the risk of this, of moving the focus to far from the original tale and losing it, or diminshing it in the broader picture, even whilst paradoxically PJ is tying to make it seem more epic.
    And I suspect now the next film will sideline Bilbo in favour of the WC/Dol Guldur plot.

    Posted 4 months ago #
  7. Barnamir
    Member

    Well I wonder if this is more a history of ME durring the time of TH. I can see your fear. I simply wanted to see more. I guess its the comic book, video game impulse . . . I gotta see what's next.

    Posted 4 months ago #
  8. pettytyrant
    Member

    Sometimes less really is more.
    And Tolkien was a master of that- the glimpsed far off vista- the sense of history without the need to stop the story or shift the focus to tell you it all- thats why its all in the appendix and not in the main story.
    But Pj is a show everything sort of director and then chuck in the kitchen sink too.

    Posted 4 months ago #
  9. Barnamir
    Member

    Sometimes yes. However in this case I think more is great.

    Posted 4 months ago #
  10. pettytyrant
    Member

    An opinion you are of course entirely entitled too.
    The why still puzzles me a bit though- I am not sure what it is you think PJ adds to the film with these inclusions.

    Posted 4 months ago #
  11. Barnamir
    Member

    When I read it is up to me to fill in details. Even great discriptions in prose leave some details out. When you add to that large amounts of action whether battle, trudging through the wiles of ME there are gaps of information PJ fills those gaps in very well.

    I like Peej's films because he filled in those gaps in action and description better than I could. I have poor drawings to prove it.

    Also I like watching historical documentaries but I also like exciting fantasy films. I think it is far easier to come up with a very childish version of the stories ie the LOTR cartoons or to come up with a very dry quasi-historical epic. Peej captured much of the sweeping history, while his adaptation had many departures from Tolkien many of these are to not defy Tolkien or because he just decided to make them up he changed events to recreate some of the same themes and feelings evoked in the text this is more important to me than pure fidelity to each moment and line of dialogue, because I think such an adaptation would fail to capture the same tone and themes.

    Posted 4 months ago #
  12. stuart Carrier
    Moderator

    Ayup Barnamir...

    Have you ever listened to the BBC Rdio play of the Hobbit and LOTR ? If not, I'd do so. And if yes, did you enjoy them and get carried along on the story with NO pictures ? If again yes, then wwould you think that if PJ had used this script, and the 'Action' that it describes and implies to his amazing Visual standard, Would you consider that superior to what we WERE given, or not ? What would be missing would you say ? Me,, personally,I'd take the BBC Radio play script, allied to the stunning Weta Visuals in a Hollywood (IT SHOULD be a New York one, but what the hey !) Minute any Day. THAT was all I wanted for LOTR and the Hobbit. And if I'd have been Given it, I'd treat PJ like a God. But we, erm, didn't. And He certainlyIsn't a God now...

    Posted 4 months ago #
  13. figgsbane
    Member

    good point Stu. although I loved the LOTR adaptation, and I thought parts of it were the best cinema I ever saw, I agree that the Hobbit it pretty much a travesty. why did they have to fiddle with it? wasnt it good enough already? it boggles the mind. What was wrong with just taking the story as is, all the 'improvements' have made the film worse not better. Its probably more confusing for a start. theres the twisty turny start, and the Radagast/Nazgul and the WC additions. It all detracts rather than expands ones knowledge as you dont know where the appendices start and the fabrication finishes and vice versa. I have never read the appendices so a casual viewing cant tell me if I am watching canon or not. I am not a stickler for canon all the time, and sometimes I prefer the changes as with giving Arwen an extended role, but anyway, its disappointing that it just looks so disjointed and half arsed.

    Posted 4 months ago #
  14. Barnamir
    Member

    Stu, I do have a set of the BBC Radio version. I definatly enjoied it. I think it only works because I am familar with the story. I much prefer the book or the film to it. Though as an adaptation to that medium it is well done. I know in TT and ROTK it follows the books much more closely. Though it cuts a lot of the same scenes that Peej cut. I definately would have preferred a more faithful Faramir. Most of the other issues don't bother me too much.

    Posted 4 months ago #
  15. pettytyrant
    Member

    The BBC version does cut some scenes- still no Tom or Barrow Downs for example- but in general it only compresses and trims- what it does NOT do is invent purely new things- alter the characters and events as written and replace them with ones they have made up on the back of a beer mat.

    For me the BBC version is an adaptation and PJ's is a loosely based on the works of- and thats the difference- I expected an adaptation of the books- not something based off them and full of made up stuff.

    Posted 4 months ago #
  16. Barnamir
    Member

    Yes and because it trims and compressed only I have to remember the trudgeing, grueling and pressing dispair. Its there but it does not have the sense of danger or dispair that the book and the film create.

    Posted 4 months ago #
  17. oldmansmith
    Member

    BTW Pettytyrant, like your handle. I'm a big fan of Carlos Castaenda's books as well as Tolkiens; I'm guessing that is where it comes from.

    I understand where you are coming from with the changes in the LOTR movies, and I mostly agree. However I still liked the movies, and felt that they captured the spirit of the books.

    The Hobbit, on the other hand, is an unmitigated disaster.

    Posted 4 months ago #
  18. pettytyrant
    Member

    Hi oldmansmith- it does indeed come from Casteneda- and I hope serves the extra purpose of reminding people that they shouldnt take my thoughts and views too seriously, and nor should I.

    My problem with PJ's LotR's is not that they are absolutely terrible because they are not, at least not always. But that they come so close in so many aspects yet for me fumble the ball as far as the script is concerned- and its the heart of it.
    I have no real complaints beyond some niggles about the looks, in general I love how PJ shot it- I have always rated him highly as a director and still do- but none of that changes the fact its got a poor script, made all the worse when one considers the quality and breadth of the source material.
    My overriding emotion towards those films is not anger or annoyance even, but disappointment.

    Posted 4 months ago #
  19. " Its there but it does not have the sense of danger or dispair that the book and the film create."
    - Barnamir

    I'm sorry, you lost me. How does the BBC radio play miss the sense of danger if it only compresses the book as you say?

    Posted 4 months ago #
  20. Barnamir
    Member

    Because if I was not already familar with the story it would not convey as well the danger and dispair of the journey to Mordor. The book creates this dispair almost through attrition. You follow their trudging. Because the radio version condenses this it looses some of the dispair or at least the scope of it. The films adapt and create this same feelings sometimes through different events.

    Posted 4 months ago #
  21. pettytyrant
    Member

    Odd I thought Ian Holm as Frodo did a far superior job than Elijah in conveying the attrition and despair.
    And if you add all the scenes together in Pj of Frodo and Sam between the tower and the slopes of Mt Doom its only abou ten miutes- and most of that is ELijah looking a bit tired and grubby and falling over.
    I thought Mordor was done prety badly in PJ's- even visually- there are some terrible mismatches between the location shooting- with bright blue skies overhead- and the cgi Mordor which is much more cloud laden and darker.

    Posted 4 months ago #
  22. Barnamir
    Member

    the closer they got the less blue sky is how I remember it. But while I have seen it many times you spent countless hours editing so you might have had more time to analyse.

    Holm did great. Don't get me wrong. I just got more from the film.

    Posted 4 months ago #
  23. Oh, God. No. The spam it's everywhere.

    Posted 4 months ago #
  24. Don't want this thread to get lost. Best leave it near the top.

    Posted 4 months ago #
  25. jon
    Member

    Alas, RA, I'm afraid it's slipped to another page...

    Well, this will put it right. I've got a few things I'd like to add, anyway, so might as well put it front and center now.

    Posted 4 months ago #
  26. jon
    Member

    Just for the record, I've seen it 3 x now. First time was 3-d, 24fps, second two times were 2d. I'm not a big fan of 3-d. The first time left me somewhat flat. The second I found to be much more enjoyable (since I'd resigned myself to the fact that the movie was not 'the Hobbit', but rather 'return to middle-earth' and that middle-earth was not Tolkien's middle-earth but rather PJ's - although informed or influenced by Tolkien's, sometimes strongly so and other times not at all). Third time I saw the movie in a more critical light, but still thought it reasonably enjoyable but not overwhelmingly so. I figure this last opinion has a very strong chance of changing when the extended edition comes out and we get an altered and less roller-coaster-ish version of the film, as happened w/each movie (for me) in the LotR trilogy).

    Posted 4 months ago #
  27. Bergils Eagle
    Member

    Ok so I finally got around to seeing the Hobbit (since it came out very late here and I've been away a bit), so I figured I might as well post my thoughts on the movie:

    Despite worrying a bit about the opening with Bilbo and Frodo, I actually quite liked it- Frodo's part was short and not drawn-out, and everything looked much as it did in Lotr (except that Ian Holm had so much prosthetics that it looked like he had had a vey bad allergic reaction to something). The flashbacks to Erebor and Dale I didn't like that much, though- Erebor looked very video-gamey and they made the same mistake with Thror as they did with Denethor, by omitting the dwarves ring they just made him look like an insane old bastard (although they still have 2 movies to fix this). Also, did I see beardless dwarves women? Come to think of it, why were there so many survivors? Surely it would have been more effective if everyone had died (except Thorin, who wasn't there, and Thror and Thrain, whose mysterious escape nicely sets up the secret passage). Even the destruction of Dale was (I think) done poorly. I feel like PJ tried to get the best of both worlds- to show huge scale destruction but also show as little as possible of Smaug (which is a concept that I think is vital- only that it calls for a scene that is more subtle and restrained, which is not what we got). As it was, the scene was no longer 'look at the destruction' but rather 'look at the dragon we're NOT showing you- *evil laugh*'. It pulled me right out of the scene and made that whole part of the movie seem contrived and less 'real'. Also, why did Dale have a giant warning horn? Surely lotr had enough horns. I would have thought bells (as in the book) would have more atmosphere and be something different (and then in true PJ style the bell tower could have been levelled to the ground).

    I also liked, for the most part, the initial scenes at bag end- the initial exchange between Gandalf and Bilbo was well done (although why they didn't finish the good-morning bit I don't know). I also noticed that the market scene which had been mentioned in reports as well as glimpsed in the trailer never made it into the movie. The dwarves' arrivals were done well, I thought (although why was Gandalf's rune glowing?), and their first song was one of the bits I really loved, which is odd, because I was actually very disappointed by the second. I had loved the tune since the first trailer, yet the actual scene in the movie was... ok. There was nothing wrong with it, but I had thought it could have been much more, had much more atmosphere. And the song itself felt cut short. I mean, no one expected all of it, but only two verses? Just imagine if they had included some of the others- "The bells were ringing in the Dale, and men looked up with faces pale"- in fact that would have been a great place to include the flashbacks, intercut with the dwarves' singing so Smaug's absence was less obvious, as well as disembodied noises cutting in and out of the scene would have been awesome.... but oh well.

    The problem with The Hobbit was that, like lotr, it got worse as it went on. Why did Bilbo decide to leave on his own? The rest was all right for a while, up until the troll scene, which was quite good (except the snot gags- plural!) until the very end. It's like PJ and co. said to each other "lets make Bilbo the hero by using the kind of argument a 4 year old could use." "But won't fans be upset that Gandalf isn't as involved?" "Then let's give him a Moses style split-the-rock moment!" "Great idea!" "But wait- won't the entire scene now contradict Bilbo's account of what happened in FotR?" "Who cares- when have we ever given a damn about continuity?" and so on. I'm also not sure why they had the bit with the ponies- don't get me wrong, I didn't mind it, but I just don't get the point. At first I thought 'hey that's a good idea- get the audience invested in the ponies wellbeing so that it makes it more brutal and disturbing that they get eaten by the goblins later', but since the ponies bolt just a few scenes later and are never seen again, the whole investment just seems pointless.

    One bit that did make me laugh was Gandalf mentioning "the blue wizards, I don't remember their names" or something like that. On one hand, it was funny to see how clumsily PJ had gotten out of mentioning their names, which are strictly off limits. But on the other hand it is also funny to picture PJ and co patting themselves on the back for their 'clever solution', completely oblivious to the fact that they could still wind up in trouble since even the term "the blue wizards" is also off-limits. Oops.

    Which brings me to Radagast. He was horrible, although not like I was expecting. His first scene was truly terrible, he looked like a Mad Hatter on some sort of mushrooms (oh wait...), but although his bulging eyes and crap-stained beard continued to look terrible, the character sort of grew on me. I hate to admit it, but the terrible line about "Rhosgobel Rabbits" made me smile, since it was delivered so perfectly by Sylvester McCoy. And even the bunny sled stopped looking bad after a while. But I never liked the pipe-weed/ mushroom references- a bit like Gandalf's 'smoker's cough' scene in RotK. The only impression I got from the Dol Guldur scene was that it was... odd. Neither good nor bad, just odd. Like it was from a different movie or something (the one shot of the Necromancer was done in a style, the likes of which hasn't been seen anywhere else in TH (so far) or LotR).

    Azog. Grrr.... I knew I would hate him before I saw the movie. I'll start at Azanulbizar (or however the hell you're supposed to spell it). The entire battle was disappointing. Instead of a dramatic decapitation (followed by an equally drastic speech from Dain as to why the dwarves would never enter Moria), we simply get Thorin lopping off a hand (and then believing Azog to be dead for no apparent reason). I'll never understand PJ's need to include Azog- surely at the very worst he could have used Bolg and had him hunt Thorin to avenge his dad's death (or did PJ not like the idea or orcs copulating?), but everything about the sub-plot was cliche- from lame phrases like the repeated "we've found the dwarf scum", to the big orc with the hook for a hand, to the line "these are no wolves, they are wargs" (when I'm pretty sure Tolkien said they were the same thing)- even the use of Weathertop as a setting. While as a base for the orcs, it would have been a strategically brilliant place to stay (it lay near the road, was supposed to hold a wide view all around), I have a feeling it was only included to provide a link with LotR- a shame, as it gives the impression that there is no more to see of Middle-Earth than was already seen in LotR.

    And, to make matters worse, I wasn't overly impressed with Rivendell. In a way, it was actually close to the sort of the thing I imagined from the books, but because of that, it stood out like a sore thumb (and how did Gandalf know there was secret writing on the map if no one, including him, could see it?). But my big problem here was Galadriel. I feel the problem with her character goes back to Boyen's ignorant comment that she was the most powerful being in middle earth. And so she had been beefed up to become this godlike character (who had to give Gandalf permission to go on the quest) with her standing ominously at dusk, and not participating in the later council scene (standing separately and only communicating telepathically with Gandalf). Maybe they just wanted the only woman in the movie to outshine the males (probably why Celeborn wasn't there, not to mention Cirdan and others. But maybe only purists like me are bothered by the fact that the White Council, the council of the wise protecting Middle-Earth only had 4 members?)

    Then we get a ridiculously over-the-top stone giant scene (Surely even stone giants weren't that big? And how could a permanent path survive if part of it was attached to a giant's legs?), although the actual design of the giants looked cool (if only they could have been smaller). But why does PJ insist on hanging his characters of cliffs (TWO characters do this in this scene alone, not to mention that half the company are 'crushed' by a giant but turn out to be perfectly fine. And then we get some of the best scenes in the movie (riddles in the dark) intercut with what are probably some of the worst (goblin town).

    First, Goblin Town. The idea of mechanical trap doors in the floor was unexpected, but not too bad (except the fall that everyone survives miraculously unbruised). The Great Goblin looked bad, but his voice was better than I had expected. And the fight scene was odd- the violence looked just... wrong. I don't mind decapitations, but if you decapitate someone and there's no blood or mess and the cut is so clean that the orc's head could sit there and then just be knocked off with only a perfectly even and bloodless slice, there's something (very) anatomically incorrect which I just find disturbing. Plus the whole "chaotic" escape through goblin town looked so acrobatic and perfectly rehearsed (not to mention the rubber dwarves as I believe others have mentioned) that it was just beyond believable.

    But there are some good scenes. The gollum bit starts of badly (Why couldn't they just have had Bilbo pick up the ring in the dark???? Once again not only does it remove the 'chance' aspect of suddenly putting your hand onto a ring in the middle of a dark tunnel, but it is completely different to what is shown in FotR- not that they should be bound by that, but something similar would have been nice). But the actual riddle scene was brilliant- they kept enough of the riddles, and also the same dangerous and sinister atmosphere. Sure, I could have done with the scene not so brightly lit, and with less (or even better no) Smeagol/Gollum, but on the whole, it was well done. But the lack of guardroom scene was sad, and Bilbo's sparing of Gollum was so drawn out it actually became funny (which is never a good sign), although it was a nice attempt.

    Even the Frying-pan had some (very few) good moments, like the pinecones, but on the whole it was bad- a climax simply for the sake of climax. I also laughed out loud as soon as I saw the pine tree on the edge of cliff- I knew instantly that everyone would be on that pine tree and in serious danger of falling of a cliff (for the 68th time), and I wasn't wrong. And WHY is Bilbo suddenly a warrior?????? NO No nononononono no no NOOO!!!!!

    The bit with the butterfly was a bit surprising. Does it make me sick that I originally thought Gandalf was going to set it on fire, before I realised he was using it as a messenger? Then again, I also thought he was going to eat the moth in FotR. It was a nice moment, but it dehumanises the eagles, and makes them dogs that just come to rescue people on Gandalf's call rather than a race with a mind of its own who were investigating (and trying to intervene in) the affairs of the wolves and orcs of their own accord? I'm actually glad he didn't show the eyrie scene- while I like to think that eagles can still talk in PJ's version, I wonder if PJ could actually have shown it on-screen in a way that satisfied me.

    So that's the plot done (and sorry I only just realised I've written a bloody essay), but I have to mention the effects. I saw it in 2D and 24fps (I presume, since I didn't notice any difference)- but I thought the whole look of the film was disturbingly 'fantastical', and less like the realism we all know and love (or not) from LotR. Also the wargs still look bad. Just bad in a different way from LotR. And the orcs look worse (what the hell was wrong with the flying-fox imp that took the message from the Great Goblin to Azog?) Even the way Sting glowed was sad (although I didn't like it in LotR either) - too much like a lightsaber, less of a 'shininess that cast light' than what I imagined. And that's not mentioning Glamdring or Orcrist. And the use of CGI instead of miniatures was very obvious (especially in Rivendell). But at least the trolls and stone-giants looked cool (although I would have liked to have seen a good deal less of the stone giants).

    Even the score had its bad moments. While I loved the main theme (the scene of the dwarves in between Rivendell and the Misty Mountains was stunning, the music made that scene amazing), I felt the music had less variety than LotR, with the same themes repeated over and over more, and sometimes some odd choices (why did the Lothlorien theme play when Elrond and the Rivendell Elves fought off Azog? And more importantly why did the Ringwraith theme play during Thorin and Azog's final showdown?). But the new Radagast Theme is nice.

    And finally, a word on the casting- Sylvester McCor did a good job (of a very badly written character), and I admit I liked Fili, and even Kili, more than I thought I would (Kili still needs a beard though). Those two along with Balin were easily the best dwarves (although probably because they got more screen time than any of the others. They were also my favourites in the book too). Bofur wasn't bad either. But I didn't like Ori (what was he even doing there? And why did they say he was the youngest dwarf there when Fili or Kili was in the books- was there really a point in changing that small a detail?) or Bifur (I'm still not buying the axe). Thorin I simply maintain should have been older (or at least a longer beard and some more grey hair). Also Martin Freeman did a really really good job- I think one of his finest moments is his face at 0:51 in this video: http://www.youtube.com/watch?v=tU2nI58hNa0

    Anyway I'm sorry to have written so much and I'm sorry since I'm fairly sure others have brought up similar points (but I've avoided this place for a while until I saw the movie and even now I haven't exactly had time to read everything written since then). Also one final question- did anyone manage to spot PJ's cameo? I missed it- I suppose a refuge of Erebor or Dale in the prologue probably makes the most sense for where he was (I did see a Dale woman who looked suspiciously like Boyens though).

    Posted 3 months ago #
  28. pettytyrant
    Member

    A good review of a poor film Bergil- I am in almost complete agreement with you on everything you raise.
    I think from your review you would particularly enjoy my TH purist edit.

    Posted 3 months ago #
  29. Anonymous

    Apparently PJ was the Dwarf that ran past Thorin as he pleaded for the Elves help after Smaugs attack. Doesn't look much like him to me but I guess he would have a lot of makeup on.

    Posted 3 months ago #
  30. Barnamir
    Member

    Welcome to the forum Bergil. Thanks for the lengthy review. I disagreed with you on some points but it is good to have you hear.

    Posted 3 months ago #

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